It’s interesting to think about how the photographs and the participants’ written responses would have been different outside of the context of COVID.ĬOVID shifted people’s priorities. We all know how life goes: a lot of things are left unsaid, or we just don’t take the time to process and talk about our relationships when we’re dealing with the exhaustion of life. It would also be the first time that couples would be spending the majority of their time together, whether it be the beginning of a relationship, or people that had been together for years. COVID really was the reason for propelling that forward, because it was the first time as a working photographer that I really had the time to process the work I wanted to make, and it was also a time that I knew that people were going to want connection. I never knew how I wanted to deal with it photographically, but I knew that I wanted to at some point, once I had the life experience and tools to do so. Pretty much all of my relationships up until around my 30s were interracial relationships, just by happenstance.Įach relationship is so different, and all of the dynamics dealing with race and background also were. Afterwards, I felt like I had a lot of processing to do, just in understanding it as a queer relationship, and also an interracial relationship- it was a lot as a young person to understand. I had a very long-term, interracial relationship that I was in we were together for around four and a half years. I originally thought of starting this work probably about 15 years ago. When I started, I didn’t know what form that would actually take, and definitely didn’t expect for it to take the form that it ended up taking, which is very different from a typical photo book. I had the distinct pleasure of speaking with Pfluger directly about his experience of taking these photos and his vision for the book itself.Ī post shared by ryan pfluger you always envision this photo series as a book? What was the impetus for this project? As a longtime admirer of Pfluger’s photography, Holding Space has been on my radar since he first began sharing portraits from the project last year. Holding Space is officially available to the public starting today, and includes 100 color photographs alongside thoughtful written reflections from the couples themselves. He visited with 120 couples in the span of 16 months, which culminated in a glorious photo book from Princeton Architectural Press entitled Holding Space: Life and Love Through a Queer Lens. So in 20, Pfluger traveled around the country to take portraits of queer interracial couples in their homes. Photographer Ryan Pfluger has been interested in these interpersonal dynamics for years, particularly as they play out within queer interracial relationships.Īs someone who has navigated many of these relationships himself, Pfluger set out to create a body of work that portrayed their complexity, which has largely been underrepresented in art. Humans are individually complicated, nuanced creatures, so it can take extreme care to move through life with another person. All relationships come with their challenges, no matter how healthy and harmonious.
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